Winter
revolves in a play of white and black, life and death, twin binaries orbiting
the experiencing mind so that it seems the whole world vibrates, in danger of
shaking apart. In old Ruin there is
civilization and barbarism, holding hands, exchanging gifts, blood, whatever
else might make for an economy of opposites, while bold exponents raise their
victories so their ribbons might ply the air to determine the winners and
losers of the Riddle. All their drive
and ambition achieves nothing against the backdrop of endless snow. They crouch in dust and wish at being the
lost gods, only then would the proportions be right.
White
and Black, the game of words, of thoughts scribbled, with either pale chalk or
dark ink, marks a difference in contrast against the other, the open page, the
blank slate. We hunt for opposites in
relief because it frees us from mystery’s court. Look, see the play of stars on the field of
the night sky, know there is something other than darkness.
There
is no end to the snow and cold, the white expanse of Winter’s shroud. It is not death, but many do die; it is not
always, for there was once the warm times.
Gliding over the frozen skin the sun casts a thousand kinds of shadow
across the textured surface. Colors
spring up, topaz, periwinkle, azure and aquamarine. A multitude of plants grow, the snow lily
with its sylph hair roots; the tolem tuber carving out a place in the frozen
ground. And cunning peoples find their
way too, such as the Fencer and the Trumpeter.
Theirs is the compromise of adaptation.
The
duality of White and Black fragments into a thousand shades, colors erupting,
bright or muted, the total spectrum of experience growing. It is as if Winter’s Riddle can’t abide the
notion of the binary, of opposites which would compel a simple framework for
experience. The meaning of the ice age
hides in the many, ignoring Summer, freezing the past, conjuring chaos and then
holding it fast into adamantine still-life.
Lumnos’s
talent was that he could read the play of White and Black, but like all
expression it was an artifice, a tool used, a process. He too was a blank slate, filling himself
with ink where his memory once was. Now
he read this on the book before him, watching the letters vanish as they had
from the mind of the man who stepped in from the darkened room, when the
Uplifting had come and erased what had once been.
“When
I was hungry I would climb to the upper city and hunt for rich food
sometimes. Corpses were our proper fare,
but I felt a dull ache come over me when I ate the dead flesh. Sensing my unease my fellows laughed and
jeered at this squeamishness. So I would
flee the animal stares of the Rot, as much to get away from the eyes as to fill
my belly with what I could steal from rubbish bins and gutters.
Near
the edge of the pit there was this odd house made from dead plant flesh—wood as
I discovered—and in it lived a strange man who would feed us tough, dry scraps
from time to time. He carried himself
like he was from another world and rarely left his house. He always seemed disappointed.
One
night, after hearing enough cannibalistic babble, I ventured above, cautious
for the metal sounds of Magpies and the violent swagger of the palace-braves;
both enjoyed the sport of killing us Rotties who clambered up from our natural
habitat. The sky was clear and the
second moon turned everything pale blue.
Down
below I had left my scribblings on the tunnel wall, yet even though I couldn’t
see them they followed me, in my brain.
Where do these things come from, these shapes and characters? They are something like those we find on the
leafy things the strange man gives us—those pages—but to me they mean the
world. If I do not make the marks on the
wall I will go insane.
Tonight
my madness took me up again, but I found I wasn’t hungry, or really my hunger
had taken on a new and alien aspect.
The
door would not work, so I broke open the window and set about my task. Following some urge I raced down a narrow
passage between two shelves. At the far
end there was a latch behind a certain book.
Opening this I knew my desire pulsed beneath the floorboards. The lock on the safe spoke to me and it
opened. There was my heart, the one not
in my body. Taking it I ran from the
dwelling and opened it and there on the blank pages words took form, and I knew
these and they were mine.”
“It
had not been so long since I was at my games of power. The world was colder, a ruin, like the city whose
name even I had no recollection of. My
upper estate lies as bones jutting furtively to the sky, my lower holdings long
gone to abandonment, a place where fractured sewers dribble down the offal and
detritus of the broken metropolis I had shepherded from its earliest
beginnings. Beyond my second palace my
nous chimes silently in black light glory, awaiting my return.”
“Yet
I am changed. My mask is gone and now I
wear a child of flesh. We are one. Through my ancient contingencies I have been
reborn, but this corpse boy is stunted and full of heavy resonance, the kind
which pulls the nous into a strange and terrible place. We are full to the brim with the energies of
the Black Lattice.
This
holy grotto beyond the Palace of Chimes resounds with human darkness, its glory
perverted by the natural order and the Riddle.
It has spoken to me and its waves and emanations are now mine. Bodies dance.
I am set free. Now that the
others are gone who can stand against…whatever I have become?
These
have been the thoughts written across my soul, just as I write across this
nameless boy, a fusion of space and substance, emptiness and order. I slosh about and am more than one and
together we will both get our say. As
predicted opponents arrive with magic hidden in the seams, assassins of
circumstance. I must speak my heart, it
is a flood of ink and I will write my will across the ice so that all will
know.
The
funny man has opened the book. Their swords
and magics, these I could defeat, but now they know and my heart is unwritten.”
Lumnos
once again stood at the body-strewn base of the ruin, beyond which lay the pit
which would one day be called the Rot.
Smoke and cloud cast a world in late afternoon grey. Surrounded by dead doubles Sol, the red
demon, the architect of the Uplifting, sat at the summit and considered his
problems.
Great
stress brought the wordseller out of time, his mind filled with what he read,
the words piling up into a horizon of significance. Under such duress he witnessed the past in
greater detail, these first memories as vivid as the childhood he could only
imagine.
Now
he noticed the smoldering figures here and there, ashen statues in the shape of
defeated mages, their fear and rage writ large across each face. Here was Sysyn, Theb, Zoxx and the rest who
chose to follow pride into that last conflagration with the red demon. He knew them well from their carven legacies,
but there were others who remained secret from his studies. One wore a mask. Now he saw them, now he didn’t, as they
crumbled into motes and the motes into nothingness.
There
was something else Lumnos noticed for the first time as Sol pulled up the
strange magics from within the pit. For
an instant he wore a smile on his face, an enigmatic amusement, something
unethical, like laughing at another’s misfortune. It lasted for a flicker and then the
crimson-robed man was gone.
This
memory hung, moving and yet still, the way a page can remain unturned, the
words breaking the linear line of action to conjure up the past in a frieze of
expression. Several tons of history
connected like a puzzle. There was
Zeklos and the Ink, the Argent Lord and Sol’s actions on the mountain of
clones, the blank ice of Winter and the Black Lattice, meeting together at odd
angles as the pages in the Alabaster Palimpsest lost the last words.
The
struggle in the Lattice room descended into madness. Cast brightly in prismatic light from the
reborn crystals Laxa and the Fencer fought against Loce. The fusion of mage and strange matter
interposed before the Inky Child, the cause of so much death and destruction,
and warded him from the assault.
Where
their weapons struck the Phyox’s flesh rippled into hexagonal scales, hardening
to armor then fading back to a normal semi-liquid state. They fought with the rage of those who have
lost their goal and were lashing out, desperately trying for the blood of the
child. A certain inertia kept them at
it, a downhill momentum which had led them through the haunted catacombs and
mines to this place and time.
Loce
struck out at Laxa, who nimbly sidestepped, running her blade along the
arm. Strange sparks showered out as blues
and purples. The Fencer blocked a
similar attack from the clawed other limb, but instead of taking advantage of
the opening, kept his blade pressed against the otherworldly skin. Frost screamed across the surface and the
magus smashed the swordsman away, opening up red along the man’s arm.
This
was a changed being they faced in Loce.
A willingness to use violence was now evident, made all that more
dangerous by the strange strength lent him by the Phyox. He could shatter bone or toss a grown man with
ease. He was quick too, muscles moving
with a harmony and grace the icebound couldn’t match. All they had was their experience, hard won
from Winter’s harsh environs, and a strange tool in the shape of Dhala’s nightmare edge.
Like
a whisper Laxa ducked under the next swing and ran her blade along the line of
eyes, which sealed over with protective hexagons, as predicted and
anticipated. At that moment the Fencer
swung for Loce’s neck. A hand grew out
and clutched the blade which cut through into the white limb even as that flesh
crystallized into some adamantine substance.
With a scream ice immediately began to envelope the changed magus in a
sculpture of inky frost.
“Fencer
stop,” said the Trumpeter. “Stop!”
“Look
at the boy!” shouted Lumnos, who had closed the book.
The
swordsman didn’t stop, but did glance over.
There the Inky Child, the Necromancer, was bound fast in some kind of solid
cube of light. It was both physical and
luminous, a block of richly tailored magics.
The boy lay in stasis, his form obscured by the hazy stuff, symmetric
limbs drifting. The Fencer stopped his
attack, but not for anything either man said.
“He
is not who we took him to be,” said the wordseller. “Not anymore.”
Loce
broke free in a shower of ice and the fighters amongst them grew wary, raising
their blades, uncertain of a future which might contain their own blood.
“The
book cast him in that shade of dark magic,” explained Lumnos, distilling the
purest essence of what he had learned in his reading. “The book wrote that spirit upon him, a
Rottie born with the power of the Art.
An old mage broken by the coming of Sol did this to him through some history
left written in this text. The tome
itself holds much knowledge, but it is also a pen, and this strange troublesome
stuff the ink.”
Lumnos
grew pained, trying to express what it was he had understood from the many
disparate elements laid out before him, which for a second had come together to
form a mosaic truth. Now he found his
words halting, as if the medium for what he wanted to say did not exist. Like the ritual the boy had carved into the
very skein of reality, there was something here, complex, nuanced, which even time
might not unravel.
“It
is said that magicians may be reborn. Perhaps
this one wished to retain memory and somehow survive with his pride knowing he
might fail against red Sol and his Summer dream. Perhaps the boy is the reincarnation of such
a mage, or maybe the Palimpsest’s provided some vector of possession, in either
case the results are the same. Yet the
old magician did not overwrite the Rottie, the two splashed into each other and
by the power they found in this crystalline chamber, or conjured from the dead,
felt such a thing that they marched their heart upon the city of Ruin, for sins
past, present and yet to come. The book
you see, it holds memory, conjures the stuff up for each reader.”
“Now
Summer comes,” said Loce, a mouth forming on his smooth face.
“There
is tell of the floating world vanishing whole towns to take a single witch
away,” said Laxa grimly. “From all the
noise this boy has caused we are doomed by wonder rather than evil.”
The
Fencer strode over to the wordseller and took the book from the man’s
hands. Opening the Alabaster Palimpsest
he achieved his heart, the reason for coming to Ruin, for accosting Lumnos and
engaging in this whole mad endeavor.
“Fencer,”
said the Trumpeter, fighting a battle for sense which had already been won by a
trophy, “The boy, he’s still.”
Concern
played across the musician’s usually manic face. The many parts of the scene weighed upon him
and he twisted the Trumpet around in his hands.
“Why
did you aid the Rottie?” the Trumpeter demanded of the Abjurist with a
surprising sternness.
“Because
I have changed,” said Loce.
“That
isn’t a full reason.”
“I
have no love of violence and the child is already defeated. He too is changed, as am I, but change is
often compromise rather than a flipping of opposites and so now he goes to the
place made for us.”
“Summer,”
mused the Trumpeter. “But is it a heaven
or a hell?”
“I’m
not so certain anymore,” smiled Loce.
“What
was the purpose of all this?” asked Laxa, breaking into the discussion. “To find some book?”
“You
cannot understand how many lives you have saved this day,” explained the stained
man. “By stripping his power, even temporarily,
you opened him up to Crow’s Eye. If
Zeklos still drove the hordes above or had finished his ritual of expression
then this understanding light would be replaced by a single terrible
spell. This spell would fall upon Ruin
like a cloud without warning. Heavier
than air it would resist the wind for hours and then blow away, leaving nothing
but a forlorn remnant. Even the bodies
would be forgotten. And this is only
their opening salvo against the chaos which a single unbound mage might cause.”
Lumnos
stood quiet, soaking up all the words like a blank page. He had scores of questions but he waited,
willing to see where the strange play of characters would take them next.
“Now
we go to the place set aside for us by Sol,” continued Loce, gauging the block
of pure light encapsulating the child for signs which only he could
understand. “For my part I will tell
them nothing of your sword, your trumpet, your part in these events. There is little care for the icebound, but I
am the last person who should be telling you that.”
“What
of the place itself?” Obsession showed
through the Trumpeter’s words.
Loce
considered this, changed as he was it was difficult to read his expressions.
“I’m
certain anymore,” he said at last.
“Summer is strangeness, where the mind makes their own heaven or hell,
and through power or conspiracy inflicts these things on others. I suppose this is the violence I realized,
what I assumed was the Black was really the binary distortion between
unflinching equals. He will have to make
a compromised decision, as I have done.”
“But
what of the horrors?” demanded Laxa. “He
is a nightmare and walks, has blood on his hands, and the powers of Summer will
let him play as he wants?”
“It
is a strange place,” was all Loce said.
He
made to go, to vanish as he had before, but Lumnos started up, stuttering.
“A
question,” he blurted. “Whether
originating from the book, or from his soul, that nous which I’ve learned of
late, who was the boy before?”
“He
wore a silver mask once,” Loce replied thoughtfully. “Though that is a truth I have only just
realized.”
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