The
ancient tiled space arched into a tunnel, occupied by the usual obscenities of
idle hands. Though lacking education and
culture the Rotties still scratched out that all too human need for expression. Swarms of graffiti. Art from the depths.
Smudged
stick figures swam in sooty darkness beneath a plateau of squares and
rectangles, where higher beings dwelt. Most
of the figures had exaggerated sexual characteristics pointing and bulging from
their otherwise generic forms. Some were
Magpies in grey chalk, others just body parts smeared with brownish red fluid. There was a familiar play of drama, of hunts
and coins and stories, some of which might only have sense in the mind of the
artist. Amongst the cacophony one
particular hand stood out.
Crammed low
along the ancient waterway an uncommon tableaux spread as revelation, trees and
flowers and fantastic creatures not seen in the city of Ruin. Hash marks occurred frequently and Lumnos understood
these to be mathematical expressions, strange little calculations processing
unknown ends. Together these bits of
soul rhymed a secret, glimpsed a spirit, and ensorcelled the eye. Here was a Rottie different than the rest.
Then
a change came over this aberrant narrative.
In recent activity black charcoal dominated: invading the other stories,
crossing out their fertility goddesses and long men, growing calm with a
strange, new direction. That was where
the white square appeared, the thing which most probably represented the
Alabaster Palimpsest. Its symbol rose above
all other things.
“What
does it mean?” murmured Lumnos. His mind
was trained to understand other trained minds.
Here he was out of context.
“A
tribe, like any other,” commented the Fencer.
“You see here and here, these are tales of conquest, of things
gained. Here the Rotties make a foray
into the city proper and steal from a building of orange.”
“That
would be the Theb palace,” explained Lumnos.
“Orange is their color.”
“From
the Thebs then,” correct the Fencer tersely.
“In any event that sort of thing is all over. Others depict desires, like broad women and
these grossly overcompensating males.
Also, given the preponderance of red, I’d say they don’t much care for
the Magpies.”
“How
can you make any sense of this mess?”
Lumnos was more than a little jealous.
“I’ve
seen the like before, back in my village.
Ignorance, or at least desolation, truncates the human hand to a few raw
stories. So lust and achievement, gain
and conquest, these are what stands out to lives whose only recourse is
survival, ice and death. We can only
warm our hands in another’s blood.”
“Yet
this hand is different,” he continued, pointing out the tall green things, the
colored growths, and the huge beasts, of which no city-dwelling Rottie could
possibly have knowledge. “These are
trees and flowers and other things, I’m not so sure of, fantastic creatures
perhaps, or imaginings.”
“How
could you possibly know those are flowers and trees,” responded Lumnos
incredulously. “Such things haven’t been
found on Winter since before the ice.”
“I’ve
seen them,” said the Fencer with bitter aggression. “Are you saying I haven’t? Would you deny me my memories?”
“Not
as such…” drifted the wordseller, suddenly very aware of this man’s violent
tendencies.
“I’d
like to say something sensible,” stated the Trumpeter. “What’s to happen next? Outside there is a legion of savage children
waiting to gnaw the flesh from our bones; only their fear of this tunnel has
preserved us this far. Above our
horizontal woes there are the angry palace tribes and those dead thief takers,
courtesy of the Fencer. To go up in
public is certain to incite the mob.”
“Why
not explore further into the tunnels,” said Lumnos tentatively, being met with
incredulous eyes. “I’m serious. Many cellars connect with the old underground
and though I’m sure that most landowners have sealed theirs off from the
marauding Rotties it stands to reason that there might be a means up into one
of the old, dried lagoons or storehouses.
From there we can wait for nightfall and make for my shop. With your coin and mine I’m sure we can
purchase the cost of enough Magpies to tip the law in our favor.”
“You
are certain of this gambit?” asked the Fencer with careful words.
“Not
absolutely, but it’s better than being stuck in this sewer.”
“And
it means we may find the Palimpsest after all,” wagered the Trumpeter, already
scouting the darkness.
The
Fencer pondered the pictographs a few seconds longer. Lumnos could tell there was something in that
display which bothered the man; it was the same for him. His uncanny perception pricked up when he saw
those spindly depictions. An emotion lay
within the chalk, something pent up and rotten.
The wordseller followed after the musician before the Fencer could turn
and see him watching, and from behind he heard those seal skin boots follow
shortly, off into the waiting dark.
Holding
a flickering taper produced from his voluminous coat pockets the Trumpeter was
first to discover the mad place yawning before them. Through long years, back into histories
sorcerous and forgotten, these tunnels stretched. Branches lead to other places, galleries and
sewers, dungeons and storerooms, all long since abandoned. They took what stairs they could, but after a
certain point all further ascents were blocked by tumbled rock and meters thick
concrete, and so they continued, often having to delve deeper because no other
avenues presented themselves.
Signs
that the Rotties traversed the underworld were quite evident, from cast off
bones to wall scribblings, but it seemed that they rarely plumbed these forlorn
places, not while there was a steady fall of resources out in the Rot. That cemetery was rich with trash, warmer,
with some glimpses of sky. The tunnels
provided only dust and tatters. If
anything they used these corridors as a highway, moving about the city unseen,
just as the travelers wished to now.
At
a tunnel junction full of high, blank shadows the Trumpeter stopped and held up
his hand. There was something of
interest on the ground. When Lumnos
caught up he could see it was a sword, of Hsen make most likely.
“Violence?”
asked the Fencer, crouching down to get a feel for the weapon, which was light,
long, narrow and double-edged.
“I
don’t see any blood,” began the Trumpeter, “nor lye, nor the scuffs of
struggle. If this was just left here
then the Rotties would’ve certainly claimed it.”
“Which
means it’s recent enough to be unmolested by the locals, but strange enough to
make me think that whoever lost this weapon was the victim of mystery instead
of any sort of prosaic trouble.”
The
Trumpeter and he exchanged a knowing look but said nothing to betray the
suspicion they shared. Lumnos filed this
away for further review, then gave a start as something sharp and metal was
thrust in his hands.
“Know
how to use this?” asked the Fencer, nodding to the sword he offered.
“Well,
in theory,” said Lumnos gingerly thinking about the weapon. “I’ve made a study of the various martial
forms and can recall sufficient quantities of the stuff.”
“Can
you use it?”
“I
believe I can point the sharp end in the right direction.” Apparently this was good enough because he
found the Hsen blade in his belt and the two travelers bothering him for
directions. Thus armed he directed the
group towards the south, gauging the direction by the growth of certain rusts
and lichen.
“Do
you notice what I notice?” asked the Trumpeter a bit too loudly, his voice
echoing along the strange high ceiling of their current gallery.
“I
haven’t seen a living thing since we entered,” nodded the Fencer. “The place is clean.”
This
was true, thought Lumnos, who knew there should be rats and other crawling
things which lived at the bottom level of the city’s ecosystem. Those plant growths they followed were old
and dead, crumbling to dust. This wasn’t
always the case. Just a few weeks ago he
hired the services of a rat catcher to weed out a nest from his cellar where
their incessant chattering had made for some rough nights.
Home,
came the next thought, with all its old books and dusty shelves, long nights spent
on forgotten histories of nations who left no other mark on the face of cold
Winter than a few bare ruins greedily broken down by masons and bandits looking
for shelter. It seemed that he had spent
his whole life, what there was of it, drenched in words, hidden from the icy
eye of the world.
Their
course led out into a massive chamber and here it was clear that not all was right
with the underworld. Entering at the
base of the cylindrical room, which was about a hundred meters in diameter,
they discovered a jumbled assortment of masonry, not broken or ruined, just out
of placed and strangely fused. Stairs
curved along the wall, coming from nowhere and going the same. Ramps led to various dark-eyed exits, some so
ludicrously steep that no living being could expect to ascend such an
incline. Along the single central pillar
a few rooms hung, attached to this stone column as purposeless gibbets and
oubliettes. Fact was that none of the
structures held reasonable function, instead serving to create an unnerving
space, expressing the work of an alien hand.
When
Lumnos’s mind had come back down from the puzzling heights he wandered over to
the Fencer and the Trumpeter, who sat as statues before an aperture at the base
of the central pillar. Across this
portal a film of black glass stretched, caught the eye and wouldn’t let
go. They stood and stared at their
glossy reflections. These were their
souls, now taken.
The
wordseller’s mind still had a bare spark to it, but it was fading fast. A tingling sensation, not unlike horror, grew
and grew within, making him feel almost weightless. He tried to work his hands, but could only
manage a slight twitch, better than the rest of him, which was already still as
death.
So he
focused on his hand, the arm, drawing upon the raw knowledge of anatomy gained
from his books. Straining against some
sort of enervation he managed to put all his will towards one last movement, a
desperate gamble of ultimate concentration.
Wavering like a snowfly, he reached out and knocked the sword from the
Fencer’s hand.
Falling, the
weapon’s point buried itself into the ancient stone. It tilted and fell on its side and all Lumnos
could do was watch; his body had at last succumbed to the enchanted black. With a clatter and a clang it threatened to
come to rest at the edge of the portal down, but held just enough momentum to
breach the edge, waver and then fall.
The
black glass film broke with a liquid splash and a dozen waiting, bloated bodies
floated upwards in obscene defiance of gravity and nature. Buoyed by some terrible spell, they tumbled
end over end, breaking like a wave against the men as they recovered their
spirits, pawing at them with talons made from broken fingers and sharpened bone. Some of these things burst upon the strange
architecture of the room, popping apart in a spray of weightless black fluid,
stuff reeking of magic.
Groaning
from distended mouths, the dead things attacked as a chaotic mob of grasping
flesh. At first Lumnos thought to
puncture them with his weapon, but a stream of bubbling night spat out from the
wound. Startled, he dropped the Hsen
sword and backed up, almost falling into the newly cleared passage down.
While
the Trumpeter cowered from the looming nightmares the Fencer took a quick look
at the spilling undead and leaped, vanishing into the lower darkness. The black within one thing slipped out the
seams of its host and made a strange double diamond shape. The living men had their tongues swelled up
in their throats. Staggering, the
Trumpeter dashed for the opening and clumsily knocked Lumnos down as well.
Together
they fell into the lower dark, skidding along the slanted chute. A great unknown opened up and swallowed them.
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